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Anthonie Leemans
Still life with a copy of De Waere Mercurius, a broadsheet with the news of Tromp's victory over three English ships on 28 June 1639, and a poem telli
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ID: 75097
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Anthonie Leemans
(1631, The Hague - 1673, Amsterdam), was a Dutch Golden Age painter.
According to Houbraken, who did not specify which brother he meant, he made a profitable living making trompe l'oeil paintings of hunting paraphernalia, birdcages, and weaponry.
According to the RKD he was the older brother of the painter Johannes Leemans, and both are known for still life paintings of hunting paraphernalia and vanitas pieces that became an influence on Christoffel Pierson for their popularity. Anthonie also painted a few Italianate landscapes with soldiers.
Related Paintings of Anthonie Leemans :. | St. Victor Hill | The Buffoon Juan Calabazas (Calabacillas) (detail) (df01) | The Delphic Sibyl (mk05) | Rome, from the Vatican, Raffaelle Accompanied by La Fornarina, Preparing His Pictures for the Decora | sommarnatt, qvarnbo | Related Artists: Giovanni Antonio Boltraffiowas an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento.
His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato.
In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.
Pietro da Cortona1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
Friedrich olenhainz(June 28, 1745 - November 5, 1804) was a German painter.
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